Good morning, and happy Friday to you!
Today I’m on the Austen Authors blog talking about Sanditon, my new favorite period drama.
Please click on the image to join me there:
There are so many wonderful Jane Austen related events and films to look forward to in 2020!
Today on Austen Authors I published a list of all the events I know about so far.
Click here or on the image below to read the full list on the Austen Authors blog:
I’ve been working on a story that includes a secondary character who is an unabashed Regency Dandy. In his mind, appearance is everything.
In writing the character, I wanted to make certain I accurately described his attire, so I turned to my research files on the king of all dandies: Beau Brummell.
When I skimmed through my files and the books I have about Beau Brummell, I realized they focused more on the events of his life and his sense of style, but really didn’t contain any actual descriptions of his clothing.
Also surprising: there’s precious little when it comes to detailed descriptions of Beau Brummell’s clothing on the Internet, either.
But in my online searches I did find something interesting. On The New School’s website, tucked into their online archives, were several photos of Brummell-inspired fashion from the 1950s.
Why were people in the 1950’s so interested in Beau Brummell? Because in 1954 MGM released a movie that was supposed to be about Beau Brummell’s life. The film starred Stewart Granger as The Beau, Peter Ustinov as the Prince of Wales, and Rosemary Harris (mother of Jennifer Ehle, my favorite Lizzy Bennet) as Mrs. Fitzherbert.
Also in the film: Elizabeth Taylor as Lady Patricia, a totally fictional character who served only to showcase Elizabeth Taylor’s beauty and give Stewart Granger a heterosexual love interest in the midst of all the ruffles and tight breeches. (That’s the kind of thing they did in the fifties. Don’t ask me why.)
The great New York department store Bonwit Teller caught a little of the Beau Brummell bug. They came up with an advertising tie-in to the movie and devoted several of their coveted 5th Avenue window displays to women’s fashion “inspired by” Beau Brummell’s dandyism.
Here’s a photo taken at the time of one of the window displays in 1954 (courtesy of The New School archives):
The female mannequin is dressed in 1950’s style high-waist pants, ruffled shirt, and a waistcoat that mimic the male’s attire. On the floor at their feet is an unraveled reel of film.
The male mannequin is wearing one of the actual costumes from the Beau Brummel movie. Here’s how that costume looked when Stewart Granger wore it in the film:
If you look closely, you can see his round hat tucked under his left arm.
Here’s another of the Bonwit Teller window displays from 1954. In this display the female mannequin is again wearing high-waist pants with a seam detail that mimics the brocade on the male mannequin’s military jacket.
He is is dressed in another costume from the movie. Here’s what Stewart Granger looked like in that same military uniform in the film:
There’s a scene mid-way through the movie when Beau Brummell joins the Prince of Wales on a hunt. Bonwit teller depicted the scene, matching their idea of a modern, 1950s woman in a red dress and heeled shoes with a gentleman’s hunting pink, which consisted of a long red coat, white shirt and pants, and black boots.
Here’s the same costume worn by Stewart Granger in the movie. With him in the scene is Rosemary Harris as Mrs. Fitzherbert and Peter Ustinov as the prince.
I was so glad to find these images, because they helped me realize Beau Brummell was not all about black tailcoats and understated fawn pantaloons.
Those articles of clothing have been the mainstays of any Regency romance hero’s wardrobe since Georgette Heyer first described them in Devil’s Cub in 1932. But the movie costumes convinced me I can introduce color, stripes and pattern to my character’s attire and still hold true to the Dandy’s dress code.
With these costumes as a guide, I was able to write some descriptions of ensembles I think my Regency character will enjoy wearing. I even thought up an article of clothing he’ll wear that will end up playing a major role in the story.
I’m looking forward to sharing all of it with you soon!
In the meantime, if you’d like to see more photos of the Bonwit Teller window displays featuring costumes from the movie, click here to be taken to The New School Archive and Special Collections website.
Not long ago I wrote a post for the Austen Authors blog about Charles Bingley, a character in Jane Austen’s Pride and Prejudice. (You can click on the Austen Authors logo to read the post.)
If you’ve read Austen’s classic novel, you know that Charles Bingley and his sisters are quite wealthy by the standards of their day. They certainly enjoyed the finer things in life and spent their money freely on travel, clothes, and large, expensive homes. Austen told us the Bingley siblings inherited their wealth from their father, and that the family fortune had been “acquired by trade.”
I’ve often believed “trade” meant ownership in a textile mill, a belief I explained in the Austen Authors post. Also in the post, I wondered what kind of mill owner the Bingley’s father would have been.
My opinion has always been that the elder Mr. Bingley would have been among the enlightened brand of mill owners. By that, I mean that he treated his employees with respect and probably established churches and schools for his workers. I based my theory on research I did about Quarry Bank, a real-life mill founded in 1784 in Manchester, England.
At the time I wrote that post, I didn’t know there was a book about Quarry Bank Mill that described the workers and the conditions at the mill. Nor was I aware English television had broadcast a dramatic series that told the stories of the children who worked at the real Quarry Bank Mill.
I haven’t seen the series, but last week I discovered the book on Amazon. You can click on the book cover to read more about it
I just ordered my copy, and it’s on it’s way (Thank you, Prime two-day-shipping!).
On a whim, I switched from the U.S. Amazon site to the U.K. Amazon site to see if I could find a DVD of the TV series. Lo, and behold, Amazon U.K. has quite a few books about Quarry Bank Mill! Oh, how I wish I had known about them before!
This book, for example, is only 128 pages long, but contains over 250 pictures of life at the mill:
And this one really piqued my interest:
It tells the story of the wife of Quarry Bank Mill’s owner, and her life-long efforts to improve the education, health and welfare of Quarry Bank’s workers.
Both of these books are must-haves for me! And if you’re a fan of North and South (another classic novel that centers around early English Textile mills), or ever wondered how those Bingleys got so rich, you may find these books of interest, too.
If you’ve read any of these books, I’d love to know what you think of them!
Actor Alan Rickman passed away on this date in 2016.
He was a beloved actor known for many roles, including the villain in the first Die Hard movie, and Professor Severus Snape in the Harry Potter movies.
But I’ll always think of Alan Rickman as the perfectly honorable, perfectly romantic Colonel Brandon in Sense and Sensibility (1995).
Here’s one of Alan’s performances you may not have seen yet. He joins a stellar cast of British actors (including Imelda Staunton, Geraldine McEwan, Bill Patterson, and Victoria Wood) in a delicious bit of silliness for Regency and Jane Austen fans. Enjoy!
I have a short post to share with you today, and it fits in nicely with my crusade to prove that not all my time spent on the Internet is wasted time (although, admittedly, some of it is).
I was scrolling through an online art site and came across this image:
It’s a 1799 portrait titled “Girl with Portfolio” by artist Guillaume Guillon-Lethiere.
As I gazed at the portrait, marveling over the artist’s skill, I got the feeling I’d seen that image before.
And then it hit me.
Actress Keira Knightley was made to look very similar to the sitter in the portrait when she played the role of Elizabeth Bennet in the 2005 movie version of Pride and Prejudice.
You see the similarities, too, don’t you? They both have striking dark eyes, their lips have the same shape, and they’re dressed similarly in dark coats with high collars.
Eerie coincidence? I think not. They say everyone has a doppelganger, and I think I just found Keira Knightley’s.
I love it when I find some unexpected bit of history while researching a totally unrelated topic. That’s what happened when I was researching famous places in Regency London, and stumbled across a reference to one of London’s most famous and historic spots.
I’m talking about Rules restaurant on Maiden Lane in Covent Garden.
First established in 1798 as an oyster bar, Rules is still in business and holds the distinction of being the city’s oldest surviving restaurant.
Thomas Rule, who founded the place, bragged in the early 1800s that his “porter, pies, and oysters” attracted the best “rakes, dandies and superior intelligence.”
For more than two centuries since then, the very best of British society have dined, gossiped, embibed, and entertained each other within Rules’ walls—from members of the Royal Family to movie stars Buster Keaton, Charlie Chaplin, and Sir Laurence Olivier.
Literary giants Charles Dickens and HG Wells dined there, too. Rules has even been used as a set for Downton Abbey and the James Bond film, “Spectre.”
Perhaps Rules is most famously known as the place where Queen Victoria’s son and heir, the Prince of Wales (later King Edward VII) wooed the beautiful Lillie Langtry.
The Prince frequently smuggled Mrs Langtry up a back staircase to a private room where they could dine alone, far away from prying eyes.
Rules’ walls are covered with mementos and souvenirs from 200 years of historical events and famous customers.
It’s a beautifully decorated restaurant; and despite its present décor that leans heavily toward the Edwardian era, I can very well imagine a Regency gentleman partaking of oysters and porter at one of Rules’ tables. Who knows? Maybe some day, Rules may make an appearance in one of my Regency romances.
I’m a big believer in romance and true love’s journey. When I meet a couple for the first time, there’s nothing I like better than to ask, “So, how did you guys meet?” and “When did you know he/she was The One?”
I appreciate a good love story, whether it’s told through conversation, written in the pages of a book, or viewed on a movie screen; and one of my favorite romance stories has been made into a movie twice.
In 1939 director Leo Carey made Love Affair. This black and white film starred Irene Dunne and Charles Boyer.
The plot is pretty straightforward: A man and a woman—both engaged to other people—meet on board a ship and fall in love.
There’s a lot to like about this movie, especially Irene Dunne. She’s a wonderful actress, and she makes her character extremely likable. Add to that some snappy dialogue and a handsome male lead, and you have the makings for a lovely romance.
Carey remade the movie in 1957 and gave it a new title: An Affair to Remember. This version starred Deborah Kerr and Cary Grant, and it’s one of my all-time favorite movies . . . and I’m not alone in that opinion. Women around the world (the movie’s been dubbed into several languages) love this movie because of the way it makes them feel when they watch it.
I’ve always been content to watch An Affair to Remember just for that reason–the way it makes me feel. But last week I decided to watch it with a more critical eye.
As I watched, I wondered why women find this movie so romantic? And can that same magic mojo apply to plotting and writing romance novels?
I think it can. So here, without further ado, are the seven lessons An Affair to Remember taught me about writing romance:
The main characters, Nickie (played by Cary Grant) and Terry (played by Deborah Kerr) have baggage. When the movie opens Nickie has no real job, but he’s world-famous for being a womanizer and a playboy. He’s also happens to be engaged to a wealthy woman who will be able to support his lavish lifestyle.
Terry, on the other hand, is down-to-earth and knows what it’s like to have to work for a living. She, too, is engaged; her wealthy businessman fiancé whisked her out of the working world and set her up in style in a New York penthouse. She loves him, but more than that, she feels indebted to him for changing her life.
These character histories are the main drivers for Nickie’s and Terry’s behaviors throughout the movie.
An Affair to Remember has a simple premise: A man and a woman meet aboard ship on a lengthy trans-Atlantic crossing and fall in love. But that plot line only takes up the first half of the movie.
The second half of the movie deals with the difficulties our hero and heroine encounter as they try to extricate themselves from their old relationships and prepare for life with their new love.
Interestingly, the movie doesn’t have a foil or villain; Life is the villain as it throws one challenge after another at our hero and heroine in their quest to reunite by the end of the movie.
Nickie and Terry both change during the course of the movie. When the movie begins, Nickie is a bit of a jerk, although a charming one. His claim to fame is dating then dumping one wealthy woman after another. Even though he’s newly engaged to yet another heiress, he pursues Terry, letting her know he wants nothing more than a brief fling before their ship docks in New York, where his rich fiancé is waiting for him.
He’s selfish, thinking only of his own needs, giving no thought to his fiancé, as he pursues Terry. He’s simply bored, and he wants Terry to keep him entertained.
Terry has her own set of problems. She’s traveling alone because her fiancé had to take care of some business instead of sailing with her.
As she explains this to Nickie, you see the sadness in Terry’s expression, and you get the feeling that Terry’s fiancé often chooses his business needs over hers. Terry tells Nickie:
He had to go to Texas on a big merger. He thought it’d be a good idea if I took a little trip while he consummated this big deal because I have no head for business. Silly, isn’t it? He doesn’t think I’m dumb, but he doesn’t think I’m very bright about things like that.
Terry’s relationship with her fiancé may not be very satisfying, but she’s determined to be faithful to him. She tells Nickie to take a hike and stop trying to flirt with her.
But eventually, Terry changes her mind about Nickie. She realizes she enjoys his company, and it may not be such a bad thing to spend time with him while she’s stuck on a ship in the middle of an ocean. But that doesn’t mean she’s going to let him cross her line in the sand.
That’s how the movie sets up essential questions about the main characters that drives the story forward:
Can Nickie really change? Is he really falling in love with Terry for the first time in his life; or is he just using her for that ship-board fling?
Can Terry really change? Is Terry really falling for Nickie; or is she simply lonely and in need of a little romance in her life to make up for her neglectful fiancé?
The banter between Nickie and Terry is one of the best things about this movie. Not long after their ship sets sail in the autumn of 1957, Nickie invites Terry to his cabin. Terry replies:
My mother told me never to enter any man’s room in months ending in R.
Terry is steadfastly faithful to her fiancé, parrying each of Nickie’s flirtations with good old-fashioned common sense:
Nickie: I was bored to death. I hadn’t seen one attractive woman on this ship since we left. Now isn’t that terrible? I was alarmed. I said to myself, don’t beautiful women travel anymore? And then I saw you, and I was saved… I hope.
Terry: Tell me, have you been getting results with a line like that, or would I be surprised?
And after Terry rejects him yet again, Nickie mutters, “I’ll just take my ego for a walk.”
With each exchange, we learn more about Nickie and Terry as individuals. His dialogue is smooth and urbane. Her lines reveal her skepticism and intelligence.
The more Terry fends him off, the more Nickie is attracted to her; and by the time they dock in New York, they’re in love and trying to figure out how to end their current relationships so they can be together.
Every good novel needs a certain amount of description so readers can visualize the places the characters inhabit.
What a character wears can give us an instant visual cue into his or her personality. That’s true of Terry in An Affair to Remember. In the movie she wears dresses and suits, gowns and bonnets, and each one is beautiful and tasteful. Her clothing declares her to be a lady through and through, and a stylish one, at that.
When Terry first meets Nickie, she’s wearing this orange creamcicle gown, and it’s a stunner.
Nickie is no slouch himself. He’s impeccably dressed throughout the movie. The suit he wears when he takes Terry ashore on one of the ship’s ports of call is not only expensive, it just happens to be the perfect color for him.
And the little Mediterranean home he takes Terry to while they’re ashore turns out to be a lovely, romantic bit of paradise, high on a hill. It’s while they’re visiting that little hill-top Garden of Eden that Nickie and Terry first begin to see each other through fresh eyes.
Turns out, the home they visit belongs to Nickie’s grandmother, and they all spend a very pleasant afternoon together. Near the end of their visit, while Grandmother is playing the piano, Nickie gives Terry a look that telegraphs his growing feelings for her.
Its a glance that reminds me of a similar look Lizzie Bennet and Mr. Darcy exchanged at Pemberley in the 1995 BBC version of Pride and Prejudice . . . and we all know what happened to Darcy and Lizzie after that.
Sometimes it’s best to allow your reader to fill in the blanks for themselves. This is probably the most important lesson I learned from watching this movie. Here’s an example:
This video is a montage of clips from the movie. At time marker 1:04 you’ll come to the scene where Nickie and Terry share their first kiss.
The thing is, you don’t really see them kiss, but you know that’s exactly what they’re doing. You also know that Terry knew the kiss was coming; she gave one fleeting thought to stopping Nickie—She even retreated a step—but in the end she decided to stand her ground and let Nickie kiss her.
And that is the point in the movie when you know Terry’s falling in love; she has let down her barriers and is no longer fighting the attraction she feels for Nickie.
There’s no dialogue in the scene to explain her feelings, and he doesn’t explain his. But we know what Nickie and Terry are feeling and doing in the scene, all because of a kiss that we never actually see.
That kiss on the stairway is one of my favorite scenes in the movie. It’s subtle, tender, and romantic. The scene taught me that any movie can show two people kissing, but very few movies can melt your heart by leaving a kiss to your imagination.
As any decent romance writer or reader will tell you:
The course of true love never runs smooth.
An Affair to Remember offers proof of that adage as Nickie and Terry spend the second half of the movie dealing with one trial after another. And just when you begin to believe they’ll never end up together because there’s only about five minutes of film left, and they can’t possibly overcome their difficulties in so short an amount of time, you see a mere glimmer of hope.
The closing scene in the move always gets to me. No matter how many times I watch it — and I’ve watched it dozens of times — it never fails to pulls at my emotions. I’ve learned to watch An Affair to Remember with a fresh box of Kleenex close at hand.
In the end, Nickie and Terry get their happy ending, and its well worth waiting for. It’s the kind of ending where I sigh and wish it weren’t over and feel as if I want to know what happens after the words “The End” flash on my television screen.
That, I think, is the perfect ending for a book, too, because readers who want to know more are readers who are invested in the story. They believe in the characters and believe in their struggles. Readers who want to know more want to be assured the characters they’ve come to love are going to be okay even after the story on paper ends.
* * *
Those are the seven lessons An Affair to Remember taught me about writing romance, and I’m grateful for the instruction.
Right now I’m working on two books (both romances, of course), and I’m definitely keeping those seven lessons in mind.
In my writing journey I haven’t yet reached the level of perfection An Affair to Remember has achieved when it comes to setting romantic standards, but I’m working on it. And in the meantime, I have my own copy of the movie to watch again and again. And one of these days, I hope I’ll be able to write a great romance to rival An Affair to Remember.
How about you? Have you ever seen An Affair to Remember? What did you think of the movie?
King Charles I ruled England for 24 years before he was executed in 1649. During his reign he amassed a collection of over 2,000 works of art.
His hoard included classical sculptures, oil on canvas portraits, enormous tapestries, and delicate miniatures. Charles even augmented the collection by commissioning artist Anthony van Dyck to paint a series of very flattering portraits of himself. This tri-view portrait of Charles I is just one example:
His discerning eye and royal patronage fostered a new and exciting culture of art and expression in England. But when Charles was executed in 1649, his massive collection was sold off, with individual pieces scattering across Europe’s museums and even some private homes.
This year the Royal Academy of Arts will reunite some of the legendary masterpieces of Charles’ magnificent collection in one exhibit.
The exhibition, titled Charles I: King and Collector embodies everything I love in a museum offering:
Unfortunately, I live on the wrong side the Atlantic, so I won’t be able to see the exhibit in London. I’m keeping my fingers crossed, though, that the collection will go on tour in the U.S. sometime soon.
Charles I: King and Collector opens January 27 at the Royal Academy of Arts in London and runs until April 15. You can find out more about the exhibit on the Royal Academy’s website here.
Brenda S. Cox
Immerse yourself in Georgian and Regency England
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